![]() ![]() In a confrontation with the frightful devil, his arm is broken, meant to reassure him this is all too real. He’s painfully aware of his loser status, and more than mindful of how crazy this all sounds. Now, the true dynamic duo of the comic book industry take us to the heart of American depression and vigilantism with Kill or be Killed.ĭylan himself narrates the story. More recently, The Fade Out took us to a place of passion and movie magic, as brilliantly realized characters plotted from the shadows of Golden Age Hollywood. ![]() Criminal captured our imaginations with a carefully plotted tale of ceaseless crime. Traditionally, the two weave complicated yarns full of pulp that showcase the unlawful underbelly of our fragile world. Here's the catch: Each person that he kills will deserve it, from a Punisher-esque standpoint of moral relativism.Įd Brubaker and Sean Phillips have a knack for capturing the human condition in their collaborations. ![]() To stave off his own bodily collapse to an inexplicable illness (seemingly caused by the devil in question), Dylan is charged with the murder of one human being per month. The proposal is simple: I saved your life, now you owe me. It’s not the first time he’s tried, but it is the first time his life is saved by a devil with a list of demands. After a complicated kiss and an overheard conversation, Dylan decides to kill himself. His roommate is sleeping with his best friend (and girl of his dreams) and he’s living off the inheritance of his deceased father’s erotic fantasy art. ![]()
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